© 2024 Kim Jae. all rights reserved. © 2024 Kim Jae. all rights reserved. © 2024 Kim Jae. all rights reserved. © 2024 Kim Jae. all rights reserved. © 2024 Kim Jae. all rights reserved. © 2024 Kim Jae. all rights reserved. © 2024 Kim Jae. all rights reserved. © 2024 Kim Jae. all rights reserved. © 2024 Kim Jae. all rights reserved. © 2024 Kim Jae. all rights reserved. © 2024 Kim Jae. all rights reserved. © 2024 Kim Jae. all rights reserved. © 2024 Kim Jae. all rights reserved.
Works
Category
Project
Project
Project
Exhibition
Installation / Video
Exhibition
Exhibition
Video
Video
Video
Video
Project
Exhibition
Exhibition
Exhibition
Video
Exhibition
Video
Video
Painting
Painting
Painting
Exhibition
Publishing
Digital pringting
Video
Exhibition
Video
Video
Video
Installation / Video
Project
Painting
Painting
Video
Lives and works in Seoul
Instead, the approach involves weaving together peripheral contexts, invisible details, virtual environments, and their conversations to bring personal incidents into the public sphere. Through this approach, the aim is not only to understand the contemporary era but also to explore possibilities for proposing new directions in the future in response to technological advancements.
Major activities inlclude the solo show ⟪The Possibility of Zero-Noise⟫ (2022, ABMS), group exhibition ⟪In Sync: Re-drawing/imagining and Losing⟫ (2024, Gyocha Place 818), ⟪Seeing Spring⟫ (2024, APOproject), ⟪Circulation of Places⟫ (2023, DDP), and ⟪Noisy Traces⟫ (2021, Placemak3).
서울에서 활동
그 대신 주변 맥락, 보이지 않는 세부적인 언어, 가상 환경, 그들의 대화를 엮어 개인적인 사건을 공적인 영역으로 노출시키는 방식을 취한다. 이러한 접근을 통해 동시대를 이해하는 데 그치지 않고, 기술 발전에 따른 미래에 새로운 방향을 제시할 수 있는 가능성을 모색하고자 한다.
주요 전시로는 개인전 ⟪제로-노이즈의 가능성⟫(2022, ABMS), 단체전 ⟪그리는 동시에 다시 잃어버리기⟫(2024, 교차공간 818), ⟪봄봄: Seeing Spring⟫(2024, APOproject), ⟪장소의 순환⟫(2023, DDP), ⟪소란스러운 흔적⟫(2021, 플레이스막3)이 있다.