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Kim Jae
Works

Year Title
Category
2024 VU-UPDATE | Helf Your Self
Project
2024 ⟨4x4 Concert⟩ Small Projects for Coming Communities
Project
2024
Project
2024 ⟪In Sync: Re-drawing/imagining and Losing⟫
Exhibition
2024 The Conversation between 1 and 0
Installation / Video
2024 ⟪Seeing Spring⟫
Exhibition
2023 ⟪Circulation of Placeness⟫
Exhibition
2023 From a Point to the Spread of Light
Video
2022 ‘How to Use Purpose in a Different Way’ Previs - Walk and Tell
Video
2022 ‘How to Use Purpose in a Different Way’ Previs - Big Storage for Virtual Reality
Video
2022 ‘How to Use Purpose in a Different Way’ Previs - Shop Now
Video
2022 ⟪Underpass Media⟫
Project
2022 ⟪Sweet Home⟫
Exhibition
2022 ⟪Yaho, Ya-ho, Ya-a-ho⟫
Exhibition
2022 ⟪The Possibility of Zero-Noise⟫
Exhibition
2021 ACPLS River
Video
2021 ⟪Noisy Vestige⟫
Exhibition
2021 Sweat!
Video
2021 A Dog is Spinning
Video
2021 Detour Road
Painting
2021 Return
Painting
2021 Falling Rock
Painting
2021 ⟪An Artist’s Resume⟫
Exhibition
2021 An Artist’s Resume
Publishing
2021 Evaporating Space
Digital pringting
2021 Spatial Wave
Video
2020 ⟪Cheonan_Independence Project⟫
Exhibition
2020 ⟨Gwansun 200928- ⟩ 5
Video
2019-2020 Creature Series
Video
2019-2020 Living in Seoul
Video
2019 Irregular Urban Occupation
Installation / Video
2019 ⟪Yeomlidong Documenta⟫
Project
2019 Non-Place Series
Painting
2019 Code Series
Painting
2019 Short Lease
Video





Kim Jae(b.1995)
Lives and works in Seoul
 Kim Jae focuses on the impact of science/technology and the resulting changes in society, culture, environment, and ways of life. Particularly within this context, Kim is interested in discovering and highlighting those who become marginalized or excluded from the mainstream. In constructing narratives for those who are marginalized or left out in the process, Kim ensures that their existing contexts are not erased. 

Instead, the approach involves weaving together peripheral contexts, invisible details, virtual environments, and their conversations to bring personal incidents into the public sphere. Through this approach, the aim is not only to understand the contemporary era but also to explore possibilities for proposing new directions in the future in response to technological advancements. 

Major activities inlclude the solo show ⟪The Possibility of Zero-Noise⟫ (2022, ABMS), group exhibition ⟪In Sync: Re-drawing/imagining and Losing⟫ (2024, Gyocha Place 818), ⟪Seeing Spring⟫ (2024, APOproject), ⟪Circulation of Places⟫ (2023, DDP), and ⟪Noisy Traces⟫ (2021, Placemak3).



김재(b.1995)
서울에서 활동



 김재는 과학과 기술의 영향으로 인해 변화되는 사회, 문화, 환경, 그리고 삶의 방식에 주목한다. 특히 이러한 맥락 안에서 주류에서 소외되거나 배제되는 존재들을 발견하고 드러내는 데 관심이 있다. 작업 과정에서 제외된 존재들의 내러티브를 구성하는 데 있어 그들의 기존 맥락을 지우지 않는 것을 중요히 여긴다. 

그 대신 주변 맥락, 보이지 않는 세부적인 언어, 가상 환경, 그들의 대화를 엮어 개인적인 사건을 공적인 영역으로 노출시키는 방식을 취한다. 이러한 접근을 통해 동시대를 이해하는 데 그치지 않고, 기술 발전에 따른 미래에 새로운 방향을 제시할 수 있는 가능성을 모색하고자 한다.

주요 전시로는 개인전 ⟪제로-노이즈의 가능성⟫(2022, ABMS), 단체전 ⟪그리는 동시에 다시 잃어버리기⟫(2024, 교차공간 818), ⟪봄봄: Seeing Spring⟫(2024, APOproject), ⟪장소의 순환⟫(2023, DDP), ⟪소란스러운 흔적⟫(2021, 플레이스막3)이 있다.